gute Imitation - translation to γερμανικά
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gute Imitation - translation to γερμανικά

IN POLYPHONIC MUSIC, THE REPETITION (EXACT OR MODIFIED) OF A MELODY IN A DIFFERENT VOICE
Nachahmung; Strict imitation; Real imitation
  • Andrea Gabrieli Ricercare del 12o tono
  • Andrea Gabrieli Ricercare del 12o tono
  • Bach Fugue XXII in B flat minor BWV 867, opening
  • Bach Fugue XXII in B flat minor BWV 867, opening
  • Bach Fugue XXII in B flat minor BWV 867, closing bars
  • Bach Fugue XXII in B flat minor BWV 867, closing bars
  • Play}}.
  • Play}}
  • 11px
  • Mozart Minuet from Trio K498, bars 76–86
  • Mozart Minuet from Trio K498, bars 76–86
  • Mozart Minuet from Trio K498, bars 94–100
  • Mozart Minuet from Trio K498, bars 94–100
  • Listen]] ) <br /> The first note of the subject, D, (in red) is a prominent dominant note, demanding that the first note of the answer (in blue) sounds as the tonic, G, rather than A.
  • tonic]] triad—in this case, a C, E, or G.

gute Imitation      
good imitation, good copy, accurate simulation, accurate reproduction
good imitation      
gute Imitation
artificial leather         
  • 1968 Mercedes Benz 280SE (W108) Seats and door trim in blue MB-Tex
  • archive-date=11 May 2005}}</ref>}}
MAN-MADE MATERIAL THAT HAS SIMILAR PROPERTIES AND APPEARANCE TO ANIMAL LEATHER
Leatherette; Poromeric imitation leather; Corfam; Poromeric; PU leather; Koskin; Vegan leather; Pleather; Artificial Leather; Synthetic leather; Synthetic polyurethane leather; Imitation leather; Fake leather; Faux leather; Vegetarian leather; Ultraleather; Italian duo-tone; Italian duotone; Plastic leather; Lorica (material); MB-Tex; Sensatec; Biothane; Дерматин; Dermatin; Dermatīns; Lederin; Lederol; Skivertex; Viledon; Pinatex; Desserto; Napalonleder; Napalon; Skai (artificial leather); Skai (Hornschuch); Hornschuch Skai
Kunstleder, Lederimitat

Ορισμός

imitation
n.
1.
Copying, imitating.
2.
Copy, resemblance, likeness.
3.
Mimicry, mocking.
4.
Parody, travesty, burlesque.

Βικιπαίδεια

Imitation (music)

In music, imitation is the repetition of a melody in a polyphonic texture shortly after its first appearance in a different voice. The melody may vary through transposition, inversion, or otherwise, but retain its original character. The intervals and rhythms of an imitation may be exact or modified; imitation occurs at varying distances relative to the first occurrence, and phrases may begin with voices in imitation before they freely go their own ways.

Imitation helps provide unity to a composition and is used in forms such as the fugue and canon.

The near universality of imitation in polyphonic styles in Western music (and its frequency in homorhythmic, homophonic, and other textures) is evidence enough of its paradoxical value in asserting the individuality of voices.